Aug 23 2012 Filed in: Tunes
How important is the hook to a song? It’s critical… and with “Dare Me” by the Pointer Sisters and Carly Rae Jepsen’s “Call Me Maybe,” there’s a thread of both that operates in the same wheelhouse. After CRJ’s (clearly live, thankfully) performance on The Today Show, it’s a good time to bring this out of my head and onto the page.
I can’t explain it - it’s been a gut-level response to “Call Me Maybe” that’s crept into my brain, and probably yours, like a kid with a first-time candy high.
This post also is an homage to The Pointer Sisters, who, as a kid, I basically worshipped back in the 80s and 90s as the Second Coming. First, the official video for “Dare Me,” here:
And now, the decidedly newer and racier video for “Call Me Maybe,” here:
At the point in both choruses, there’s a hook, a beat, that makes both songs cousins - or perhaps the Sisters’ jam was the grandmother to this tune. Am I nutty? Well we know that I am - but I’m eager to get your thoughts.
As we found out today, “Call Me” started out as a folk tune on the acoustic guitar. And don’t hold it against Carly that she’s a Beiber protege.
No matter if you see it like I do, I “dare you” to stop tapping your feet during either of these jams. What do you think? - WP
Remember the days of “Up Where We Belong”? The interplay between two singers creates an energy that can’t be matched in solo work. Here’s a recent example from Jason Reeves and Kara DioGuardi - it’s an uncomplicated, down-tempo song but the vocals are good.
I’d like to see us get back to loving this type of songwriting and performance. Word on the street is that Kara will appear on Kelly Clarkson’s new album, “Stronger,” when it drops in October. Kelly’s first toe-tapping single, “Mr. Know It All,” is available now on iTunes.
(ATLANTA - 6 September 2011) :: Songwriting, crisp arrangements and soulfulness are alive and well, I’m happy to report.
All evidenced by Parachute’s latest record, “The Way it Was” (Island Def Jam). The band first caught my ear with the driving, soulful “Under Control” - a fine if a bit safe pop-rock track that spurred me to snag the entire album. I’m glad I did, because it was the perfect prep for their newest effort.
go to Parachute’s official website
No sophomore slump here - far from it. The album cover art is a throw-back to an old Chicago or Doobie Brothers cover, shot plainly in a leafy park setting.
”The Way it Was,” Parachute
But don’t let that fool you: the production is slick and the writing is stellar. Despite the strange, retro look on the cover, the band fearlessly delves into hybrid waters, with the unabashed, gospel-infused “Something to Believe In.”
“You spend your days alone still hopin' for the truth,
But all you hear are lies”
As a writer and lyricist, that’s a line that hit right at my core. We are a nation hoping for something new, something truthful, but all we are fed is bullshit - and then we’re expected to stay quiet and accept the scene of our country crumbling at its core.
But the lyric and arrangement is raised up by the gospel backing - a daring move for a band not known for that. I’d push back on their video for not highlighting those specific vocals, because they absolutely make the song. But I’m nit-picking.
I don’t use the term “fearless” lightly with this record - because rock bands often shy away from anything that takes them outside of their wheelhouse. (And they are often criticized for doing so, as Liz Phair found out the hard way.) Creating accessibility in songwriting is not tantamount to watering down or “selling out” - it’s a tool to speak to more people.
Just ask Steve Winwood, who saw “Higher Love” shoot to the top of the charts with the blistering, stellar backing of Chaka Khan. How could that song have soared as it did without her vocal - and without that added accessibility? Answer: it couldn’t. They did, in fact, show Chaka in the video, too.
In all, and in the midst of the nutty spin-cycle of never ending new-band parades, Parachute has done an incredible job. So check it out on iTunes if you haven’t already; make sure to spin “Kiss Me Slowly” (written with members of Lady Antebellum), “You and Me,” and “Philadelphia” - an uncomplicated tune reminiscent of some of Josha Radin’s best stuff.
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I stumbled across this on LastFM today. One of the better tracks on her debut CD, “Sober” is something I can really resonate with these days.